Mario García Torres, born in 1975, is a visual and conceptual artist whose practice spans film, sound, performance, museographic installations, and video. His work frequently departs from untold or “minor” histories, re-creating historical exhibitions or completing unfinished artworks in ways that blur the boundaries between original and reenactment, past and present. Through these strategies, García Torres questions widely held notions of truth, certainty, authorship, and time. In the early 2000s, he deliberately stopped dating his works, often marking them as n.d. (no date), a gesture that undermines the idea of an artistic career as a linear progression. His work has been exhibited internationally at institutions such as the Museo Reina Sofía in Madrid, the Walker Art Center, the Hammer Museum, and the Stedelijk Museum, and featured in major biennials including Venice, São Paulo, and documenta. His works are held in major collections including MoMA, the Guggenheim Museums, Tate Modern, and the Centre Pompidou.