In recent years, Patty Chang’s artistic practice has unfolded as a panoramic investigation of bodily experience within geopolitical and cultural landscapes. Coinciding with her solo exhibition at the Queens Museum in New York, her work can also be traced through her exhibition Re-Assemblage at BANK Gallery in Shanghai, as well as her earlier video works marked by sensory intensity and wry humor. Chang’s practice centers on the systems and operations of man-made infrastructures, including transnational highways, shipping routes, lakes, canals, and dams, as well as arterial networks that guide, regulate, and redirect resources. These structures inscribe new cartographies of labor and transformation across territories. At the same time, Chang maintains a sustained engagement with emotional structures, focusing on encounters that are either seemingly insignificant or catastrophically disruptive, revealing the entanglement between large-scale systems and lived, embodied experience.